The following meditation on Anne Goetze’s mixed media artwork, “Pray to Love, Love to Pray” comes from Sr. Brenda Lisenby.
A black habited woman walks away, down a corridor. Her walking is a gentle walk, a knowing walk, a quiet walk. I cannot see her face, but I know it is serene—it reflects a serenity that comes from an interior posture of reposing in God, I think. I know this because I sensed the moment I saw this picture that it was an image I carry of myself.
“Can she truly know what is around the corner until she makes the turn?”
Many years ago I was attracted to a similar painting, in an art shop in Hong Kong. That picture is of a young woman dressed in traditional Vietnamese clothing, pushing her bicycle, with a “yue nan mao zi”–a Vietnamese hat as the Chinese called it. This woman was also walking away, her back to me, but I identified immediately with her. I, too, rode a bicycle daily. I, too, had a “yue nan mao zi” to keep the sun out of my eyes.
And although I didn’t wear Vietnamese or even Chinese clothing, I did learn how to ride my bicycle in a skirt. But there was something more about this woman with her back to me. She was going somewhere, I didn’t know where. And the simple beauty of this young Vietnamese woman journeying on to her destination, an unknown destination from my viewpoint, communicated a serenity to my spirit.
“I do not always know what I am walking toward, yet in spite of the unknown destination, I walk gently, knowingly, quietly.”
The picture of the Visitandine nun in her home in Annecy communicates a similar serenity to me. Once more, I cannot see her destination, but I know she knows…or maybe she doesn’t. It must be a corridor she has walked hundreds if not thousands of times. But can she truly know what is around the corner until she makes the turn? I am this woman, always on a journey, always walking away from yet toward something. I do not always know what I am walking toward, yet in spite of the unknown destination, I walk gently, knowingly, quietly.